PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Disposition of Voice Parts
Indentation for Initials
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Adhoc Adaptation
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Adhoc adaptation: notation extended into margin Disposition of voice part: 1-part single page Type of script: cursive (Anglicana) Ruling medium: freehand Disposition of voice part: 3-part single page Penned initials type: plain initials Colour of notation: red

Search results

11
  1. Köln, Germany, Historisches Archiv der Stadt, MS Wallraf (Best. 7010) 75, Early 16th century, All folios
  2. Hradec Králové, Czech Republic, Muzeum Východních Čech, Knihovna, MS Hr-26 (II A 21) (olim 8707), First half of 16th century, All folios
  3. London, Great Britain, British Library, MS Harley 5242, c. 1509-1514, All folios
  4. London, Great Britain, British Library, MS Royal Appendix 58, c. 1515-40, All folios
  5. Vatican, Biblioteca Apostolica Vaticana, MS Chigi C VIII 234, c. 1498-1503, All folios
  6. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2442, First half of the 16th century, probably c. 1527, Altus partbook, all folios
  7. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2442, First half of the 16th century, probably c. 1527, Tenor partbook, all folios
  8. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2440, 1515-1525, All folios
  9. Florence, Italy, Biblioteca Nazionale Centrale, MS Banco Rari 230 (olim Magliabechi XIX.141), c. 1500-1513, before 1515, All folios
  10. Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 3, 1518-20, All folios
  11. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2442, First half of the 16th century, probably c. 1527, Cantus partbook, all folios