PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Number of staves
Disposition of Voice Parts
Indentation for Initials
Extra Space Between Voice Parts
Space Provided for Separate Text
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Type of notation: strene notation Adhoc adaptation: notation extended into margin Ruling medium: freehand Type of notation: chant (square) Other decoration frequency: rarely Disposition of voice part: 3-part score Painted initials frequency: sometimes

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11
  1. Vatican, Biblioteca Apostolica Vaticana, MS Arch. Cap. S. Pietro B.80, 1474-5, All folios
  2. Cape Town, South Africa, National Library of South Africa, MS Grey 3.b.12, Before 1506, All folios
  3. Perugia, Italy, Biblioteca Comunale Augusta, MS 431 (G.20), 1480-90, All folios
  4. Seville, Spain, Biblioteca Capitular y Colombina, MS 7-1-28, Late 15th century, All folios
  5. Eton, Great Britain, Eton College Library, MS 178, c. 1500-04, All folios
  6. Montecassino, Italy, Biblioteca dell'Abbazia, MS 871, late 15th century, pp. 247-434
  7. London, Great Britain, British Library, MS Additional 35087, 1505-06,
  8. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2440, 1515-1525, All folios
  9. London, Great Britain, British Library, MS Royal 20 A. xvi, c. 1480-90, All folios
  10. Brussels, Belgium, Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, MS 228, c. 1515, with additions around 1519, All folios
  11. Paris, France, Bibliothèque Nationale, fonds français MS 15123 (olim Suppl. Fr. 2637), c.1480-4, All folios