PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Adhoc adaptation: notation extended into margin Indentation for initials: single Disposition of voice part: 5-part opening

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15
  1. Barcelona, Spain, Biblioteca de Catalunya, M. 454, 1500–1534, All folios
  2. Barcelona, Spain, Biblioteca Orfeó Català, MS 5 (olim 12-VI-12), 1490-1510, All folios
  3. Brussels, Belgium, Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, MS 6428, c. 1520-1530, All folios
  4. Cambridge, Great Britain, Magdalene College, MS Pepys 1760, c. 1509-c. 1514, All folios
  5. Eton, Great Britain, Eton College Library, MS 178, c. 1500-04, All folios
  6. London, Great Britain, British Library, MS Additional 5665, c.1460-1510, All folios
  7. Montserrat, Spain, Monasterio de S Maria, MS 766, 1517-34, All folios
  8. Montserrat, Spain, Monasterio de S Maria, MS 773, c. 1510-15, All folios
  9. Vatican, Biblioteca Apostolica Vaticana, MS Chigi C VIII 234, c. 1498-1503, All folios
  10. Segovia, Spain, Archivo Capitular de la Catedral, MS s.s., c. 1498-1515, All folios
  11. Seville, Spain, Biblioteca Capitular y Colombina, MS 5-5-20 (olim Z Tab. 137, N.° 25), Early 16th century, 39-66
  12. Tarazona, Spain, Archivo Capitular de la Catedral, MS 2-3, Early 16th century, All folios
  13. Tarazona, Spain, Archivo Capitular de la Catedral, MS 5, 16th century, All folios
  14. Toledo, Spain, Catedral, Obra y Fabrica, MS Reservado 23, c. 1520-1535, All folios
  15. Zaragoza, Spain, Iglesia Metropolitana de la Virgen del Pilar, Archivo Musical, Armario C-3, MS 17, 16th century,