PRoMs - The Production and Reading of Music Sources
Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Date
Locations of Origin
Countries
France
1
Italy
3
Cities
Cambrai
1
Casale Monferrato
1
Florence
1
Milan
1
Venice
1
Production method
Manuscript
5
Physical type
choirbook
4
polyphonic music manuscript appended to polyphonic music print
1
Material
paper
5
Format
upright
5
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
none visible
5
Height of Staves
Colour of Staves
black
2
brown
3
dark brown
1
Ruling Medium
double and single rastra
1
single rastrum
5
straightedge
1
triple rastrum
1
Number of staves
10
2
11
2
6
1
7
1
8
1
9
2
Disposition of Voice Parts
1-part single page
1
2-part opening
2
3-part opening
4
3-part single page
1
4-part opening
4
5-part opening
1
6-part opening
2
Indentation for Initials
double
2
none
5
single
2
Extra Space Between Voice Parts
empty ruled staves on grid
5
Space Provided for Separate Text
no separate text
4
not in dedicated space
2
Adhoc Adaptation
Indentation for initials filled in
1
made for complete additional staves
3
notation and staves extended into margin
5
notation extended into margin
2
partial additional staves
2
staveline added
1
Copying of Music
Colour of Notation
black
2
brown
3
red
1
Type of Notation
chant (square)
1
void mensural
5
Monophonic Notation
absent
5
present
1
Level of Calligraphy
fair
2
high
3
Non-verbal Performance Instructions
end symbol
1
repeat signs
1
signa congruentiae
3
signes-de-renvoi
3
Copying of Text
Language
Dutch
1
French
1
Italian
1
Latin
5
Presence or Absence of Text
fully texted with one or two texts
1
fully texted with one text
5
partially texted with one text
1
provided with one or two incipits
1
provided with single incipit
3
untexted
3
Type of Script
cursive
1
cursive (bastarda)
2
cursive (italic)
1
hybrida
1
textura
3
various
1
Level of Calligraphy
fair
3
high
4
Colour of Text
black
1
brown
4
red
2
Multiple Texts
no
4
yes
2
Decoration
Miniatures Frequency
Borders Frequency
Borders Size
Painted Initials Frequency
Painted Initials Type
Penned Initials Frequency
normally
3
occasionally
5
rarely
2
Penned Initials Type
calligraphic
3
calligraphic with decoration
3
calligraphic with grotesque heads
4
flourished
1
plain initials
1
Planned Initials Frequency
always
1
normally
2
often
2
rarely
2
Planned Initials Type
Other Decoration Frequency
always
1
occasionally
1
often
2
Other Decoration Type
decorative final long
2
embellished final barline
1
end-symbol
1
littera notabilior
1
Filters applied
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Adhoc adaptation: notation and staves extended into margin
Monophonic notation: absent
Penned initials frequency: occasionally
Pricking frequency: none visible
Production method: Manuscript
Search results
3
Cambridge, Great Britain, Gonville and Caius College, MS 667/760, Late 1520s, All folios
Munich, Germany, Bayerische Staatsbibliothek, Musica MS 34 (= MaiM 88), 1521 - c. 1530, All folios
Munich, Germany, Bayerische Staatsbibliothek, Musica MS 7 (= MaiM 1), c. 1512-30 , All folios
1