PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Adhoc adaptation: notation and staves extended into margin Indentation for initials: single Presence absence of text: untexted Production method: Manuscript Separate text: no separate text

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13
  1. Barcelona, Spain, Biblioteca Orfeó Català, MS 5 (olim 12-VI-12), 1490-1510, All folios
  2. Basel, Switzerland, Öffentliche Bibliothek der Universität, MS F VI 26 d, First quarter of the 16th century, All folios
  3. Berlin, Germany, Staatsbibliothek Preussischer Kulturbesitz, MS Mus. 40021 (olim Z 21), c. 1485-1500, All folios
  4. Bologna, Italy, Museo internazionale e biblioteca della musica di Bologna, MS A 71 (olim 159), c. 1510-20, All folios
  5. Hradec Králové, Czech Republic, Muzeum Východních Čech, Knihovna, MS Hr-25 (II A 20) (olim 8705), First half of the 16th century, All folios
  6. Hradec Králové, Czech Republic, Muzeum Východních Čech, Knihovna, MS Hr-26 (II A 21) (olim 8707), First half of 16th century, All folios
  7. Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 21, 1521-25, All folios
  8. London, Great Britain, Royal College of Music, MS 1070, 1505-13, All folios
  9. Paris, France, Bibliothèque Nationale, nouvelles acquisitions françaises MS 1817, c. 1514-23, All folios
  10. Regensburg, Germany, Bischöfliche Zentralbibliothek, MS C 120 (olim D XII), Early 1520s, All folios
  11. Seville, Spain, Biblioteca Capitular y Colombina, MS 5-5-20 (olim Z Tab. 137, N.° 25), Early 16th century, 39-66
  12. Zaragoza, Spain, Iglesia Metropolitana de la Virgen del Pilar, Archivo Musical, Armario C-3, MS 17, 16th century,
  13. St Gall, Switzerland, Stiftsbibliothek, MS 463, c. 1540 or slightly later, All folios