PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Adhoc adaptation: notation extended into margin Adhoc adaptation: notation and staves extended into margin Type of notation: chant (square) Type of notation: void mensural Ruling medium: freehand Disposition of voice part: 5-part single page Adhoc adaptation: staveline added

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13
  1. Basel, Switzerland, Öffentliche Bibliothek der Universität, MS F X 1-4, c. 1518-1526, D: 14-92; A: 15-88; T: 34-116; B: 14-91
  2. Basel, Switzerland, Öffentliche Bibliothek der Universität, MS F X 1-4, c. 1518-1526, D: 1-13: A: 1-14; T: 1-33; B: 1-13
  3. Padua, Italy, Biblioteca Capitolare, MS A 17, 1522, All folios
  4. Siena, Italy, Biblioteca Comunale degli Intronati, MS K. 1.2, c. 1500, 208-224
  5. Perugia, Italy, Biblioteca Comunale Augusta, MS 3314 (I.M. 1079 (1-3)), First half of 16th century, All folios
  6. St Gall, Switzerland, Stiftsbibliothek, MS 463, c. 1540 or slightly later, All folios
  7. Madrid, Spain, Palacio Real, Biblioteca, MS II/1335, c. 1505-20, All folios
  8. Siena, Italy, Biblioteca Comunale degli Intronati, MS K. 1.2, c. 1500, 1-207
  9. Zaragoza, Spain, Iglesia Metropolitana de la Virgen del Pilar, Archivo Musical, Armario C-3, MS 17, 16th century,
  10. Motetti A, Venice, Italy, 1502, , "die 9 Madij Salutis anno 1502", All
  11. Contrapunctus seu figurata musica super plano cantu missarum solennium totius anni, Lyons, France, 1528, , August 1528, 90
  12. Paris, France, Bibliothèque Nationale, nouvelles acquisitions françaises MS 4379, c. 1470-85, 1-42
  13. Seville, Spain, Biblioteca Capitular y Colombina, MS 5-1-43 (olim Z Tab. 135, N.° 33), c. 1470-85, All folios