PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
Search
Filters
Date
Locations of Origin
Countries
Cities
Production method
Physical type
Material
Format
Size (height in mm)
Preparation
Size of Music Text Area
Pricking
Height of Staves
Colour of Staves
Ruling Medium
Number of staves
Disposition of Voice Parts
Indentation for Initials
Extra Space Between Voice Parts
Space Provided for Separate Text
Adhoc Adaptation
Copying of Music
Colour of Notation
Type of Notation
Monophonic Notation
Level of Calligraphy
Non-verbal Performance Instructions
Copying of Text
Language
Presence or Absence of Text
Type of Script
Level of Calligraphy
Colour of Text
Multiple Texts
Decoration
Miniatures Frequency
Borders Frequency
Borders Size
Painted Initials Frequency
Painted Initials Type
Penned Initials Frequency
Penned Initials Type
Planned Initials Frequency
Planned Initials Type
Other Decoration Frequency
Other Decoration Type

Filters applied

Clear all filters
Non verbal performance instructions: signes-de-renvoi Copy language name: Flemish Disposition of voice part: 6-part opening Penned initials frequency: normally Number of staves: 7 Presence absence of text: fully texted with one text Presence absence of text: fully texted with two or more texts Planned initials frequency: never Penned initials frequency: occasionally Penned initials type: calligraphic with grotesque heads Ruling medium: single rastrum Other decoration frequency: never Type of script: cursive (bastarda) Number of staves: 6 Type of script: display script Painted initials frequency: rarely Separate text: no separate text

Search results

27
  1. Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Altus
  2. London, Great Britain, British Library, MS Egerton 3051, c. 1500, All folios
  3. Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Tenor primus
  4. Tarazona, Spain, Archivo Capitular de la Catedral, MS 17, First half of 16th century, Tenor secundus
  5. Paris, France, Bibliothèque Nationale, fonds français MS 1597 (olim Colbert 1625), c. 1500, All folios
  6. Montserrat, Spain, Monasterio de S Maria, MS 773, c. 1510-15, All folios
  7. Paris, France, Bibliothèque Nationale, nouvelles acquisitions françaises MS 1817, c. 1514-23, All folios
  8. Brussels, Belgium, Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, MS 6428, c. 1520-1530, All folios
  9. Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.107bis, 1510-1513, All folios
  10. Berlin, Germany, Staatsbibliothek Preussischer Kulturbesitz, MS Mus. 40021 (olim Z 21), c. 1485-1500, All folios
  11. Montserrat, Spain, Monasterio de S Maria, MS 766, 1517-34, All folios
  12. Munich, Germany, Bayerische Staatsbibliothek, Musica MS F (= MaiM 3), 1508-34, All folios
  13. Seville, Spain, Biblioteca Capitular y Colombina, MS 7-1-28, Late 15th century, All folios
  14. Paris, France, Bibliothèque Nationale, fonds français MS 2245, c. 1490-8, All folios
  15. Barcelona, Spain, Biblioteca de Catalunya, M. 454, 1500–1534, All folios
  16. Seville, Spain, Biblioteca Capitular y Colombina, MS 5-5-20 (olim Z Tab. 137, N.° 25), Early 16th century, 39-66
  17. Seville, Spain, Biblioteca Capitular y Colombina, MS 5-1-43 (olim Z Tab. 135, N.° 33), c. 1470-85, All folios
  18. Florence, Italy, Biblioteca Nazionale Centrale, MS II.I.232 (olim Magliabechi XIX.58), c. 1515-1521, All folios
  19. Brussels, Belgium, Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, MS 15075, c. 1525, All folios
  20. Florence, Italy, Biblioteca Riccardiana, MS 2356, c. 1480-1485, All folios