PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Ruling Medium
Number of staves
Disposition of Voice Parts
Indentation for Initials
Extra Space Between Voice Parts
Space Provided for Separate Text
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Penned initials frequency: normally Production method: Manuscript Presence absence of text: provided with one or two incipits Presence absence of text: fully texted with one text

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13
  1. Siena, Italy, Biblioteca Comunale degli Intronati, MS K. 1.2, c. 1500, 208-224
  2. Vatican, Biblioteca Apostolica Vaticana, MS Arch. Cap. S. Pietro B.80, 1474-5, All folios
  3. Barcelona, Spain, Biblioteca de Catalunya, M. 681 (=PedC 386), c. 1525-1550, All folios
  4. Bologna, Italy, Museo internazionale e biblioteca della musica di Bologna, MS Q 132, First half of 16th century, all
  5. Siena, Italy, Biblioteca Comunale degli Intronati, MS K. 1.2, c. 1500, 1-207
  6. Seville, Spain, Biblioteca Capitular y Colombina, MS 5-5-20 (olim Z Tab. 137, N.° 25), Early 16th century, 39-66
  7. Tarazona, Spain, Archivo Capitular de la Catedral, MS 2-3, Early 16th century, All folios
  8. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2442, First half of the 16th century, probably c. 1527, Tenor partbook, all folios
  9. Rome, Italy, Biblioteca Casanatense, MS 2856 (olim O.V. 208), c. 1479-81, All folios
  10. London, Great Britain, British Library, MS Egerton 3051, c. 1500, All folios
  11. Barcelona, Spain, Biblioteca de Catalunya, M. 454, 1500–1534, All folios
  12. Paris, France, Bibliothèque Nationale, fonds du conservatoire MS Rés. Vm7 676, 1502, All folios
  13. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2442, First half of the 16th century, probably c. 1527, Cantus partbook, all folios