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Adhoc adaptation: notation and staves extended into margin
Colour of notation: black
Disposition of voice part: 5-part opening
Indentation for initials: triple
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15
- Brussels, Belgium, Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, MS IV.922, c. 1520, one quire (117-125) c. 1515, All folios
- Brussels, Belgium, Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, MS 15075, c. 1525, All folios
- Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2439, c. 1505-10, All folios
- Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 2, c. 1515, All folios
- Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 20, c. 1515-20, All folios
- Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 22, c. 1500-05, All folios
- Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 4, c. 1516-18, All folios
- Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 5, c. 1515, All folios
- Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 8, c. 1515-20, All folios
- Mechelen, Belgium, Archief en Stadsbibliotheek, MS s.s., c. 1515, All folios
- Montserrat, Spain, Monasterio de S Maria, MS 766, 1517-34, All folios
- Montserrat, Spain, Monasterio de S Maria, MS 773, c. 1510-15, All folios
- Munich, Germany, Bayerische Staatsbibliothek, Musica MS F (= MaiM 3), 1508-34, All folios
- Padua, Italy, Biblioteca Capitolare, MS A 17, 1522, All folios
- Toledo, Spain, Catedral, Obra y Fabrica, MS Reservado 23, c. 1520-1535, All folios