PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Adhoc adaptation: notation and staves extended into margin Disposition of voice part: 5-part opening Level of calligraphy text: high Non verbal performance instructions: signes-de-renvoi

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13
  1. Barcelona, Spain, Biblioteca de Catalunya, M. 681 (=PedC 386), c. 1525-1550, All folios
  2. Brussels, Belgium, Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, MS IV.922, c. 1520, one quire (117-125) c. 1515, All folios
  3. Cambridge, Great Britain, Magdalene College, MS Pepys 1760, c. 1509-c. 1514, All folios
  4. Casale Monferrato, Italy, Archivio Capitolare, Fondo Musicale 1 (olim M(D)), 16th century, All folios
  5. Florence, Italy, Biblioteca Nazionale Centrale, MS II.I.232 (olim Magliabechi XIX.58), c. 1515-1521, All folios
  6. Florence, Italy, Conservatorio di Musica Luigi Cherubini, MS Basevi 2439, c. 1505-10, All folios
  7. Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 20, c. 1515-20, All folios
  8. Montserrat, Spain, Monasterio de S Maria, MS 766, 1517-34, All folios
  9. Munich, Germany, Bayerische Staatsbibliothek, Musica MS 34 (= MaiM 88), 1521 - c. 1530, All folios
  10. Munich, Germany, Bayerische Staatsbibliothek, Musica MS F (= MaiM 3), 1508-34, All folios
  11. Seville, Spain, Biblioteca Capitular y Colombina, MS 5-5-20 (olim Z Tab. 137, N.° 25), Early 16th century, 39-66
  12. Tarazona, Spain, Archivo Capitular de la Catedral, MS 2-3, Early 16th century, All folios
  13. Tarazona, Spain, Archivo Capitular de la Catedral, MS 5, 16th century, All folios