PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Ruling medium: freehand Borders frequency: never Production method: Manuscript Disposition of voice part: 5-part single page Type of notation: strene notation Adhoc adaptation: notation extended into margin Adhoc adaptation: staveline added

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34
  1. London, Great Britain, British Library, MS Royal Appendix 45-48, c. 1530, Contratenor partbook (App. 46), all folios
  2. London, Great Britain, British Library, MS Royal Appendix 45-48, c. 1530, Triplex partbook (App. 47), all folios
  3. Brussels, Belgium, Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, MS 15075, c. 1525, All folios
  4. Munich, Germany, Bayerische Staatsbibliothek, Musica MS F (= MaiM 3), 1508-34, All folios
  5. Brussels, Belgium, Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, MS IV.922, c. 1520, one quire (117-125) c. 1515, All folios
  6. Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 2, c. 1515, All folios
  7. Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 7, c. 1515, All folios
  8. Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 8, c. 1515-20, All folios
  9. Isaac: Misse, Venice, Italy, 1506, , "1506.Die.xx. Octobris", All
  10. Févin: Misse, Fossombrone, Italy, 1515, , "MDXV. Die xxii Novembris",
  11. Brussels, Belgium, Bibliothèque Royal Albert 1er/Koninklijke Bibliotheek Albert I, MS 228, c. 1515, with additions around 1519, All folios
  12. Toledo, Spain, Catedral, Obra y Fabrica, MS Reservado 23, c. 1520-1535, All folios
  13. Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 4, c. 1516-18, All folios
  14. Contrapunctus seu figurata musica super plano cantu missarum solennium totius anni, Lyons, France, 1528, , August 1528, 90