PRoMs - The Production and Reading of Music Sources

Mise-en-page in manuscripts and printed books containing polyphonic music, 1480—1530
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Type of notation: chant (square) Disposition of voice part: 5-part single page Adhoc adaptation: notation and staves extended into margin Disposition of voice part: 3-part single page Adhoc adaptation: partial additional staves Disposition of voice part: 1-part single page Planned initials frequency: rarely Disposition of voice part: 3-part consecutive Level of calligraphy text: fair

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13
  1. Basel, Switzerland, Öffentliche Bibliothek der Universität, MS F IX 55, c. 1507-1510, All folios
  2. Basel, Switzerland, Öffentliche Bibliothek der Universität, MS F VI 26 a, 1500-1510, All folios
  3. Basel, Switzerland, Öffentliche Bibliothek der Universität, MS F VI 26 e, First quarter of the 16th century,
  4. Basel, Switzerland, Öffentliche Bibliothek der Universität, MS F VI 26 d, First quarter of the 16th century, All folios
  5. Barcelona, Spain, Biblioteca de Catalunya, M. 681 (=PedC 386), c. 1525-1550, All folios
  6. Leipzig, Germany, Universitätsbibliothek, MS 1494, c. 1490-1504, All folios
  7. Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 2, c. 1515, All folios
  8. Munich, Germany, Bayerische Staatsbibliothek, Musica MS 1 (olim H.C. 59; = MaiM 7), c. 1510-after 1523, All folios
  9. Barcelona, Spain, Biblioteca Orfeó Català, MS 5 (olim 12-VI-12), 1490-1510, All folios
  10. Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 9, c. 1515, All folios
  11. Contrapunctus seu figurata musica super plano cantu missarum solennium totius anni, Lyons, France, 1528, , August 1528, 90
  12. Jena, Germany, Thüringer Universitäts- und Landesbibliothek, MS 4, c. 1516-18, All folios
  13. Toledo, Spain, Catedral, Obra y Fabrica, MS Reservado 23, c. 1520-1535, All folios